Perhaps it’s the lingering frost blanketing the city or the post-holiday atmosphere, but as I gaze up at the skyscrapers in the heart of Manhattan, New York feels almost otherworldly—a place where everything seems possible, just as Frank Sinatra once sang. Beyond its legendary past, the city is now shaped by a new generation of artists who transcend the post-pandemic era, drawing inspiration from technology and reshaping storytelling through algorithms.
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The New Creative Wave
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This fresh creative wave is sweeping through the city—from the underground space of the Onassis ONX hub in the Olympic Tower to the Brooklyn Academy of Music (BAM) and the Whitney Museum in Manhattan’s trendiest district. It signals a new era of transatlantic artistic exchange, where technology and creativity merge seamlessly, with the Onassis Foundation at the forefront of this movement.
Techne Festival
Once, New York’s avant-garde scene thrived in the small galleries of the East Village and the underground vibes of Studio 54. Now, emerging artists are not just painting on walls or building installations—they are coding, programming, and experimenting with AI-driven tools. They challenge algorithms to push artistic boundaries, inviting audiences to co-create immersive experiences that redefine reality.
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Digital triptychs reminiscent of Renaissance masterpieces, podcasts reinterpreting ancient myths, and interactive screens that alter perception through technology—these are just a few glimpses of the artistic revolution at Techne Festival, organized by Onassis ONX in the heart of New York. The festival showcases artists who not only adapt to new media but also use technology to reimagine global storytelling in deeply personal ways.
Rethinking Art and Technology
The Onassis Foundation transformed a space beneath the Olympic Tower into a free-access studio for artists to experiment with cutting-edge tools. Over time, New Yorkers embraced this initiative, recognizing Onassis ONX as a full-fledged platform that supports both artists and major festivals like Techne and Under the Radar—festivals that might not exist without its financial backing.
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During the opening of BAM KBH, a new cultural venue named after arts pioneer Karen Brooks Hopkins, we met artists, actors, and visionaries reshaping Brooklyn’s artistic landscape. Among them was actor John Turturro, while others lamented budget cuts for the arts in a city synonymous with artistic innovation.
Especially since the Trump era, concerns have grown about the future of experimental art in America. Outside Trump Tower, amid heightened security, the stark contrast of New York emerges—between glitzy storefronts and the stark reality of homelessness.
The Golden Key: Art as a Social Dialogue
One of the festival’s standout performances, The Golden Key, drew inspiration from the Brothers Grimm and Greek mythology, using AI to allow audience members to shape the narrative in real time. Through live interactions, spectators altered the visual storytelling, transforming historical events and fictional characters in ways that felt both surreal and deeply personal.
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For instance, the menacing Cheshire Cat from Alice in Wonderland was reimagined as a playful feline named Dr. Whiskas, while the American Civil War became a comedic battle over bagels. The audience laughed, perhaps as a coping mechanism against the backdrop of wildfires still ravaging Los Angeles.
The festival demonstrated that, in an era dominated by AI, artists don’t have to compete with technology but can harness it to create what machines alone cannot—emotion, spontaneity, and human connection.
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As Viola He, a Shanghai-born artist at Techne, put it: “The goal is not just to use technology, but to bend it to our will—to make it our own artistic language.”
New York, New York with a Greek touch—where art, technology, and human stories converge to shape the future.
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